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		<title>Print on UV Curing System</title>
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			<lastBuildDate>Mon, 29 Jun 2026 22:48:11 +0800</lastBuildDate>
		
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				<title>Gallium lamp for screen print exposure</title>
				<link>http://uv-curing-system.com/en/posts/gallium-lamp-for-screen-print-exposure/</link>
				<pubDate>Mon, 29 Jun 2026 22:48:11 +0800</pubDate>
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				<description>&lt;p&gt;&lt;img src=&#34;http://uv-curing-system.com/images/9af23fdc71d76546938deb94a4cd0ab1.jpg&#34; alt=&#34;Gallium lamp for screen print exposure&#34;&gt;&lt;/p&gt;&#xA;&lt;p&gt;On the shop floor, screen exposure is where throughput and repeatability collide. Underexposed stencils wash out mid-run. Overexposed stencils choke fine detail and eat up &lt;a href=&#34;https://henruite.com&#34;&gt;press&lt;/a&gt; time. The problem usually isn&amp;rsquo;t the film—it&amp;rsquo;s the lamp&amp;rsquo;s spectral output and how evenly it delivers energy across the frame.&lt;/p&gt;&#xA;&lt;h3 id=&#34;what-matters-technically&#34;&gt;What matters, technically&lt;/h3&gt;&#xA;&lt;p&gt;Gallium lamps for screen exposure are built around a mercury-vapor discharge, tuned with gallium iodide to push output toward the 365–405 nm band—right where most photopolymer emulsions absorb efficiently. We &lt;a href=&#34;https://goldisgood.com&#34;&gt;specify&lt;/a&gt; peak irradiance at the emulsion plane, not just lamp wattage, because curing is about photoinitiator response, not heat. A stable spectral profile keeps dose consistent from exposure to exposure, and the reflector&amp;rsquo;s dichroic coating controls infrared, which limits thermal stress on thin frames and delicate films. Ozone-free operation and a controlled arc length translate to repeatable intensity across the whole image area.&lt;/p&gt;</description>
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